The quiet architecture of ordinary lives.

Eleanor Voss writes novels that examine the unspoken contracts between people, the small fractures that alter entire decades, and the peculiar dignity of restraint.

Eleanor Voss, 1996 portrait

About

Born in 1949 in the coastal town of Mendocino, Eleanor Voss has published four novels and a collection of stories. Her work has been praised for its precise attention to domestic detail and its refusal of easy resolution. She lives in the same house where she wrote her first book, surrounded by the same fog that appears on nearly every page she writes.

She has received fellowships from the National Endowment for the Arts and the Guggenheim Foundation. In 1995 she was awarded the PEN/Faulkner Award for Fiction.

Books

The Silent Orchard, first edition

The Silent Orchard

1994 • Farrar, Straus and Giroux • 278 pages

A widowed schoolteacher in Northern California begins receiving unsigned letters from someone who claims to know the precise hour her husband died. Over one long summer she confronts what she has chosen not to see.

Letters from the Coast, 1996 edition

Letters from the Coast

1996 • Farrar, Straus and Giroux • 312 pages

Three generations of women correspond across decades while living on the same stretch of shoreline. The novel moves between 1947 and 1973, tracing what is said and what is carefully omitted.

The Measure of Things, short stories

The Measure of Things

1991 • Alfred A. Knopf • Short stories, 211 pages

Eleven stories about people who believe they are living ordinary lives until a single measurement—distance, time, or silence—reveals otherwise.

Readings & Appearances • 1997

March 4
City Lights Booksellers, San Francisco
7:30 pm
April 18
Portland Public Library, Portland, Oregon
6:00 pm
May 9
Harvard Book Store, Cambridge
7:00 pm
June 21
Seattle Arts & Lectures, Benaroya Hall
8:00 pm
September 12
The Strand, New York
7:00 pm

Press

“Voss writes with the kind of restraint that feels almost radical. Every sentence earns its place.”
— The New York Times Book Review, 1996
“She is interested in what happens after the dramatic moment has passed—how people continue.”
— The Atlantic, 1994
“Letters from the Coast is that rare novel that makes silence feel like the most articulate character in the room.”
— Los Angeles Times, 1996
“Voss has perfected the art of the unsaid. Her sentences accumulate like evidence in a case no one wants to try.”
— The Paris Review, 1995

Newsletter

Occasional dispatches on new work, reading lists, and the slow progress of sentences. Sent by post three or four times a year.